The artistic characteristics of Yangzhou jade carving

Novel and novel theme

Jade carving is a special craft with exquisite workmanship. It is necessary to have a superb style of art and a rich and novel subject matter in order to produce excellent products.

An artistic feature of Yangzhou jade carving is the novel theme. In addition to reflecting the traditional themes of our people's love of the motherland, love of life, and love of labor, we have also created new themes with real life content, such as "Liangshan Water Diversion", "Fishing Jiale Sha", Spring Garden, "Big Harvest", etc. These works are full of poetic pride and rich real life atmosphere. A medium-sized product “four-tube bottle” created by Yangzhou Jade Factory is carved with precious jasper. The top of the bottle and the bottle are carved into jade dragon, the four corners of the bottle. In combination with the hollow art technique, it is carved into four leaky tubes, and the exterior is decorated with phoenix. The concept is exquisite, with profound meaning and vivid image. The four tubes of the "four-tube bottle" symbolize the great unity of our people, "four seas rise" It presents a new atmosphere of dragon and phoenix dancing everywhere.

The large-scale screen of Yangzhou Lacquerware Factory is full of spring flowers. It is the masterpiece of the largest and most used material in the inlaid jade in the history of Yangzhou. The white area is two meters high and three meters long and eight inches long. In the middle of the screen is a white magnolia flower. The middle part of the magnolia tree is inlaid with a peacock. The two sides are inlaid with peony and plum blossoms, and the flower top golden pheasant flies. The works are made of various materials. The peacocks are made of jasper, green gold and ivory in addition to the head; the peony is made of coral, agate and jade; the flowers of white orchid are from five tons of jade and three tons of jade. Selected from the system. “Spring in the Garden” symbolizes the prosperity and prosperity of the motherland. The concept is exquisite, profound and rich, and it is really “searching for the peaks and drafting drafts”. It is still displayed in the exhibition hall of Yangzhou Lacquerware Factory, which is for visitors from home and abroad to visit.

The semi-stereo relief is to promote the jasper card plaque produced by the state jade factory, "Feng Li Tong Yin" and the deep relief of the jasper insert "Dragon Flying Phoenix Dance". The shallow relief embossed "Feng Li Tong Yin", under a leafy thick sycamore tree, a pair of phoenixes standing on the stone, the wings are green bamboo, giving people a pleasant white music, quiet and cool feeling; profound relief "Dragon Flying Phoenix Dance" The dragon lingers in the clouds and rises up. The phoenix hangs over the rock, spreads its wings and dances, and the water is renewed, and the glory of the glory is full of joy. It’s really different, it’s full of colors.

National characteristic local style

The style of Yangzhou jade carving is first manifested in its rich national characteristics. Yangzhou's round carving products are longer than furnace bottles. Since the founding of the People's Republic of China, on the basis of the creation of small products such as Dingyi, the company has further developed into large-scale pagodas and palace lanterns. Among these works, there are ethnic and local styles. Huangyu Pagoda is seven floors above and below, and the height of the city is four inches. It is modeled after the shadow of the capital Yuanmingyuan Tower. The Yuanmingyuan Tower is a masterpiece of a strong national style in ancient Chinese buildings. A pair of Jasper Palace lights, the lamp holder and the lamp body are all carved with dark green jasper. The lamp holder is decorated with ethnic motifs such as embossed dragon and eucalyptus, giving an elegant and simple aesthetic.

The white jade pagoda made by Yangzhou Jade Factory is divided into seven layers, all of which are carved with white jade, such as Qiuyue, without a freckle phosphorus point. The top of the tower flies, and the wind chimes fall from each corner. Very rich in ethnic characteristics, it is very refreshing. Yangzhou jade carving not only shows that the appearance of the product has obvious national characteristics, but also has rich traditional themes. Like the Yangzhou three-dimensional jade carvings and inlaid works, the traditional themes such as “Day Girl Scattered Flowers,” “Yu Ben Yue Yue” and “Zhao Jun Jie Sai” are popular among the working people of our country and are also rumors of the world. The "Tianxian match" in the inlaid product is separated from each other and divided into eight. Each of them shows the different thoughts and feelings of Dong Yong and the Seven Fairies. It vividly depicts a fairy who fell in love with the image of a laborer, full of Being angry makes people think deeply.

The style of Yangzhou jade carving is also reflected in the fact that many works are based on local buildings and scenic spots, with obvious local color. Nanjing Yangtze River Bridge, Jiangdu Water Conservancy and Rough Project, Wanfu Gate, Guazhou Ship Lock and the Wuting Bridge, Baita, Wenchang Pavilion and Siwang Pavilion in Yangzhou Scenery have all become beautiful patterns in craft creation. After the liberation, the first large-scale work of Yangzhou carved in the Huangyu Pagoda was modeled after the Wenfeng Tower on the edge of the Grand Canal. In addition, many works also draw on the style of the Yangzhou School of Painting, with a knife like a pen, fresh and pungent, vivid, simple and elegant, chic. For example, the orchids, bamboos and stones in the inlaid works are the painting techniques of Zheng Banqiao and Huang Shen, which are produced in the "Yangzhou Eight", which are simple in writing and constitute a poetic and artistic expression. There are also many products designed to directly resemble the works of the state painting school. Such as Shitao's landscape, Jinnong's plum, Luo Liangfeng's stalagmites, Huang thin scoop figures, as well as the late Qing painter Wang Xiaomei's ladies, Chen Xifan's furnaces, flowers and birds.

The characteristics of Yangzhou jade carving local customs are closely related to the geographical location of Yangzhou. Yangzhou is located between the Jianghuai area. It absorbs the artistic characteristics of the north and south of China, and has formed the characteristics of the southern show and the northern male in the product style. For example, the wind of the three-dimensional jade carving is very thick and solemn in the whole shape, but on the external carving, it emphasizes the exquisite carving, the lines are fresh, and the pattern is slender and simple. Large products are often seen in the thick, while small products are thick in the fiber. This is the famous big-handedness in the Yangzhou Saitama technique, which is a small piece of work, a good show, and a traditional way of seeing it. In the production of paintings, it is the same as the carvings, bamboo carvings and porcelain carvings of Yangzhou. There is also a special atmosphere in the style of the product, which means that the tire is thin and flat. After the jade bowl and the jade cup are carved, they can float on the water, and people call it "water floating." Some works can be seen in the sunshine, and it is indeed a special style.

Inspired by stone

On a piece of natural jade, how to use it according to the material, use it properly, and engrave it into art treasures. This is the wisdom of the jade carving artists. The three-dimensional jade carving is often carved with a clever color. Elephant carving, a camel, is limited to designing on a piece of jade. What kind of horse is carved into a color? What kind of posture is the camel? It is necessary to conceive the design from this piece of jade in order to achieve a natural shape and become a work of art. Another example is the flower on the deer, the red on the top of the crane. It is not only similar to the real deer and the real crane, but more importantly, it is a typical deer and crane that is pleasant and exaggerated through the exaggeration and rendering of the color. Among the coloring jade, there are “white jade sprinkled yellow” (that is, white jade sprinkled with chrysanthemum, beans) and “three-color emerald” (white, red, green three colors). A piece of "Dragon and Phoenix" in Yangzhou Jade Factory was made with "Blue Emerald". It is made of white dragon and phoenix, red dragonfly carved into dragon enamel ball, green green, carved into phoenix peony. The image is vivid and extremely natural, and it can be described as clever. The use of color-coded inlay products, although not as difficult as the Lixiu jade carving, can only be thrown on a piece of stone, but the color is complex, but it is also allowed to stand the king. Liushi sculptures are generally colored, such as the ladies in the characters and the vine wood flowers can be monochromatic. Inlaid king carving on the left stone requires image color, often a screen to use dozens of colors, such as a lady, from head to toe, clothing, crown, shoes, belt, almost red, yellow, blue, purple, Green should be used up, a flower and bird screen should be more than 30 kinds of color, the selection of stone is really rich.

A good jade piece, in addition to exquisite craftsmanship. Without the quality of jade, it is impossible to become a living. The raw materials of Yangzhou Jade Carvings are mostly the famous "Laoshan Jade" of our group. For example, Xinjiang Hewen's "Sheep Feather Jade" is delicate and smooth, white as sheep fat; "mountain flowing water stone" is the Wang Yan of Kunlun Mountain. Thousands of years of snow water impact scrubbing, clear and natural; like "white jade sprinkle yellow", white jade sprinkled with yellow beans or banana leaf spots are extremely precious jade. It is such as the jade of Myanmar, the agate of Heijiang, the Dushan jade of Henan, the pine ear of Hubei, and the crystal stone of northern Jiangsu, all of which are important raw materials for Yangzhou jade carving. Crystal agate is also a kind of precious jade material in China. It is close to Yangzhou West and Yizheng and Liuhe produce five-color Ma. In the Song Dynasty, "Draining Stones" was recorded in Zhenzhou (that is, Yizheng), and Liuhemashu was quite left. When it was said that it was large and white, the five-color pattern was like a brush, and it was very gentle and thorough, and the people of the township were crushed into objects. Ming Lujun’s poem says: “The far-reaching stone is called the stone, and the true rock of Zhenzhou also produces this.” The stone has two kinds of monochromatic and multi-color, the monochromatic is mostly white, and the complex color is red and green. Green, blue, purple, five colors. The patterns in the stone are ever-changing. There are like Sun Wukong and Pig Bajie in "Journey to the West". Some are shaped like parrots in the birds, Jiaofeng, and yellow pheasants. They are like bamboos in plants. The image is true and lifelike. Xingjiang Guazhou Craft Factory and Yizheng Crafts are widely used as raw materials for production, which is quite rich in local characteristics. Whether the color of the material is good or not is an important aspect of identifying jade carving products, so the preciousness of jade is not only a good craftsman, but also a beautiful stone to become a famous product.

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